Chapolin

This dubbing has a history of more than 30 years, in which various chapters have been dubbed over time, many of them more than once. Along with the acclaimed dubbing of Chaves, it's one of the dubbings most loved by the Brazilian public, being the main reason for the enormous success that the both Mexican series had in the South American country.

Dubbing history
The dubbing of the series began in Brazil when Silvio Santos, owner of the Brazilian channel SBT (called TVS at the time) bought the rights to show Televisa's Mexican telenovelas on his signal, which were very famous at the time. When the files arrived in Brazil, Santos came across the comedy series El Chavo and El Chapulín Colorado, which he had not bought, but which Televisa had sent him as a gift in case his station in São Paulo was interested in showing it. Santos at first did not believe it prudent to broadcast the comedy series, since he had never broadcast a Mexican series of these characteristics, having only bought comedies from the USA.

MAGA Version (Classic Dubbing)
At that time, the SBT or TVS studios in São Paulo functioned as dubbing studios, and their main manager was Marcelo Gastaldi. Silvio Santos approached Gastaldi, who owned the dubbing company Maga, who worked at the TVS studios, and asked if these series would really be successful in Brazil. Gastaldi analyzed the series, the jokes, the type of humor and thought that they would be successful, he even said that they would become very famous in Brazil. No artistic director of the SBT channel, much less Santos, sympathized with the series and it was with the help of Salathiel Lage that the series entered the programming grid. Gastaldi was then in charge of the casting and direction of the series.

Once a casting of actors was chosen, the series began to be translated and adapted. Who commanded the direction of the series was Gastaldi himself. Since he owned the studio, the work began to become a bit heavy and he left the direction in the hands of Potiguara Lopes, one of the main translators, thus Gastaldi dubbing only Chaves, the protagonist. Osmiro Campos, for his part, directed the largest number of episodes in the series, around 80%. As he was Gastaldi's right-hand man in the studio, Campos left the direction of dubbing, now doing other jobs in the studio. Who takes his place is Nelson Machado, who would be in charge at the end of the dubbing of the series. Potiguara would also leave the translation, a job that Machado would also assume.

As the comedy series has stand-alone episodes, Televisa sent four different packages of episodes in different years. These are called 'lotes' in Brazil, and there were four of them: 1984, 1988, 1990 and 1992. Some chapters were repeated between packages, so they were dubbed again, in order to correct any failure in the translation and/or adaptation.

Studio Gábia (DVD Special Dubbing)
In 2005, a company called Amazonas Filmes was in charge of launching El Chavo and El Chapulín Colorado DVDs in Brazil. However, the distributor Televisa did not allow the dubbing of the classic version by Maga Studios to be maintained, and requested a redub, which was carried out in Gábia.

This dubbing received negative criticism, since it was considered nonsense, since people were used to classic dubbing.

Som de Vera Cruz/UniDub Studios (Modern Dubbing)
A series of episodes of the series, despite being dubbed in Brazil, are unpublished today, either because they were broadcast a long time ago, or only once, or very few times. For this reason, when the series was acquired by the Multishow channel, from Grupo Globo, one of SBT's commercial competitors, it ordered all the 'unpublished' episodes to be dubbed, and others whose classic dubbings have not been published again. The new cast, despite the changes, received greater reception among fans.

Cast
As in the original version, the cast of voice actors is limited to a few people, who dubbed all the various characters of each actor in a fixed way.


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Trivia

 * When the series was sent to Brazil, many scenes were not sent with an international track to be dubbed, so much of the music had to be replaced. Most of the themes used are by British musician John Charles Fiddy.
 * The opening sequence is not the same as the Mexican version either.:
 * For its broadcasts on Brazilian television, a hitherto unknown musical theme was used as the introduction of the program, replacing the original opening sequence. Notwithstanding the foregoing, for the first dubbed episodes, and therefore, for its first broadcasts on SBT/TVS, the original opening sequence was kept, and Maga studios used another musical theme, also unknown, replacing the original introductory theme in Spanish.
 * Starting in 1990, and also in subsequent broadcasts on Multishow, the theme "Flying Fists" by British composer Brian Laurence Bennett was used.
 * A third version, exclusive to Turner's channels, was shown on the Brazilian channels of Cartoon Network and Boomerang, which kept the music from the original version, and which was taken from the episode "Blancanieves y los 7 Churi Churín Fun Flais".
 * In addition to adapting the show's songs, a large number of original theme songs were composed, including with the voice actors. Many of these musical themes were arranged by the musician and dubbing actor Mário Lúcio de Freitas.
 * The series was a sweeping success in the Brazilian public, to the point that, in Brazil, there are the largest groups of the Fandom of the Chespirito's comedy series.
 * Some episodes of the series are lost media, but have been found with their Brazilian dubbing, although not with their original Spanish audio. This made all these episodes broadcast solely and exclusively on Brazilian television.
 * Many of the names of the characters are adapted to the grammar of Brazilian Portuguese, which, in various aspects, is usually very different from the Spanish language.